Fifty years after its debut on television, “Star Trek” bursts onto the big screen again in its 13th feature-film outing.
While the bad luck dreaded by triskaidekaphobes fails to curse the aesthetics of this latest production, there is an unwelcome development in the moral realm.
Overall, “Star Trek Beyond” (Paramount) is a rousing and rambunctious 3-D adventure, directed at a furious pace by Justin Lin. That seems natural enough, given that Lin is perhaps best known for helming several of the films in the “Fast & Furious” franchise.
Here, with nary an automobile in sight, Lin embraces the universe as his canvas and makes the most of it. He stages thrilling scenes of galactic peril, including the wholesale destruction of the Starship Enterprise.
Fortunately, screenwriters Doug Jung and Simon Pegg (who plays Chief Engineer Scotty) allow viewers to pause and catch their breath, interspersing quieter scenes of the crew members bonding for character development.
Fatigue and malaise have struck the denizens of the Enterprise at the midpoint of their five-year mission. The captain, James T. Kirk (Chris Pine), is jaded and restless. The romance between Cmdr. Spock (Zachary Quinto) and Lt. Uhura (Zoe Saldana) has waned. Ship’s doctor “Bones” McCoy (Karl Urban) is crankier than ever.
In a twist that has made headlines, helmsman Sulu (John Cho) is revealed to be gay. In a brief scene, he’s shown with a male partner and young daughter. The casualness with which this situation is treated is itself part of an underlying agenda.
The Enterprise docks at a floating metropolis called Yorktown for a refit. There Kirk receives his next mission: A distress call in an uncharted part of the galaxy must be answered.
It’s a trap, of course, and before you can say, “Beam me up, Scotty,” the ship is destroyed and the crew taken hostage on a hostile planet.
A reptilian megalomaniac named Krall (Idris Elba) is to blame. He seeks the wholesale destruction of humanity (of course) through use of the ultimate weapon (what else?).
Krall’s motives and true identity are revealed in due course. In the meantime, it’s up to Kirk to rally his troops and stage a counterattack against overwhelming odds.
“We will do what we have always done,” says Spock. “We will find hope in the impossible.”
The film so crammed with technical jargon and nostalgic references that only diehard Trekkies will fully understand much of it. And while this could normally be endorsed as a fun summer movie, its action is too intense for kids.
Also, by choosing to climb aboard the gay-pride bandwagon, the film is at odds with Christian values.
Many grown moviegoers may be prepared to take this element of the picture in stride. Given the broad cultural impact of this widely loved franchise, and the clear intent to make a statement with the scene in question, the restrictive classification seems necessary as a warning.
The film contains considerable, mostly bloodless violence, including torture, a benign view of homosexual acts and a fleeting sexual reference. (L, PG-13)